Class Notes Walk Cycle
15:59
Focus on 1 7 13 19 25
Smallest amount of key frames to make it as smooth as possible.
Timing of legs, then timing of arms, and then in between.
Use Animators Handbook
Strike first pose at 1 'contact pose'
Upright post, front foot flat on floor at 7 'pass pose'
At the start we're only after the pass and contact.
Tilt weight onto foot as the transfer is to the ground. Slighty to one side to keep balance. Make sure the pose is right from the front.
Naturally counter balance, center of gravity should be in the center.
If the timing is out in the first place, any subsequent performance is useless.
As we walk our fleet angle outwards for a smoother avoidance of the ground, makesure you offset your fleet as you walk slightly.
Cut and paste using the grease pencil tool to work out your timing and speed for weight.
Smallest amount of key frames to make it as smooth as possible.
Timing of legs, then timing of arms, and then in between.
Use Animators Handbook
Strike first pose at 1 'contact pose'
Upright post, front foot flat on floor at 7 'pass pose'
At the start we're only after the pass and contact.
Tilt weight onto foot as the transfer is to the ground. Slighty to one side to keep balance. Make sure the pose is right from the front.
Naturally counter balance, center of gravity should be in the center.
If the timing is out in the first place, any subsequent performance is useless.
As we walk our fleet angle outwards for a smoother avoidance of the ground, makesure you offset your fleet as you walk slightly.
Cut and paste using the grease pencil tool to work out your timing and speed for weight.
